Diamonds Are Forever
Last September, I wrote a column for Pulse called “The Fashion of The Christ,” in which I talked about the reemergence of religion in pop culture. It was centered around Kanye West’s “Jesus Walks,” a song that almost single-handedly revived hip-hop as an instrument of social change, in a time when far too many songs were about bling, cars, clothes, women, and parties that don’t stop ‘til six in the morning. Now, Kanye is at it again.
The first single from his upcoming sophomore album, Late Registration, is called “Diamonds from
“The title was always ‘Diamonds from
Set against a sample of “Diamonds Are Forever,” the James Bond theme by Shirley Bassey, the rapper lambastes the diamond industry, accusing it of continuing to mine and sell so-called “conflict diamonds,” or “blood diamonds.” (“Conflict diamond” is a term applied to a diamond that, while being mined, results in the loss of human life or limb.)
It’s an alarming message—coming from Kanye, who was once renowned for his flashy jewelry and close affiliation with the Hip-Hop community’s most famous diamond-peddler, Jacob The Jeweler.
In the song, West draws an interesting parallel between the African children who die mining the diamonds and American kids who die selling drugs to buy them.
West focuses his attention on
Carson Glover, a spokesman for the
In fact, he adds, “the volume of conflict diamonds in circulation is believed to have dropped below one percent, if any at all, and it is virtually impossible for unscrupulous dealers to sell non-certified rough diamonds.”
While Kanye might not be ready to give his bling back, he is doing his part to raise awareness about the dark side of the diamond trade. As he told Billboard, “I wanted to do whatever I could to learn more and educate people about the problem.”
June 23, 2005
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